Nuclear Culture

Nuclear Culture Round Table. 17 November 2017, Z33 House for Contemporary Art, Hasselt, Belgium. © Pieter Fannes. February 23, 2018Nuclear Culture

Ele Carpenter and Pieter Fannes. Underground/Overground. An Annotated Visual Report

by Ils Huygens

Curator Ele Carpenter looks back on the Nuclear Culture Roundtable held on November 17th at Z33, and shares what she took home from the talks and debates, inspired by Pieter Fannes’ drawings. Text. Ele Carpenter and Pieter Fannes. The seventh... Read more »

, , , , ,

Discussing 'Deep Time communication through long term projection'. Nuclear Culture Roundtable, 17 November 2017, Z33. © ONDRAF/NIRAS, photography by Buket Dorbar. February 23, 2018Nuclear Culture

Underground/Overground. Roundtable on Art and Radioactive Waste Storage in Belgium

by Ils Huygens

On November 17 last year, the seventh Nuclear Culture Roundtable took place at Z33, a day of debates accompanying the exhibition Perpetual Uncertainty. What exactly is nuclear culture, and what’s the origin of the Nuclear Culture Roundtable? Tex... Read more »

, , , , ,

David Mabb: A Provisional Memorial to Nuclear Disarmament (2015). Perpetual Uncertainty, Z33 House for Contemporary Art, 17 September–10 December 2017. © Kristof Vrancken / Z33. October 3, 2017Nuclear Culture

Exhibition. Perpetual Uncertainty

by Z33

Perpetual Uncertainty is an exploration of contemporary art in the nuclear anthropocene. The exhibition brings together international artists from across Europe, the USA and Japan to investigate experiences of nuclear technology, radiation and the co... Read more »

,

September 22, 2017Nuclear Culture

Andy Weir. Deep Decay – Into Diachronic Polychromatic Material Fictions

by Z33

Beyond debates around ethics of responsibility to future generations, artist and writer Andy Weir argues that what is invoked is a more radical futurity, where human thought confronts its contingency alongside nuclear timescales. What specific knowle... Read more »

,

Nuclear Culture

INDEX

2011, 2012, 2013, 2014, 2015, 2016, 2017, 2018, Adam Gibbons, All the Knives, All the Knives (Any Printed Story on Request), archive, art, biennial, BIO50, BIO 50, book, C-Mine, case study, commentary, curating, De Brakke Grond, deep time, design, Design Academy Eindhoven, design education, Designing Futures, Designing Scarcity – Design and Innovation in Times of Scarcity, DESIS Philosophy Talks, De Unie Hasselt-Genk, Dunne & Raby, ecole mondiale, education, Ele Carpenter, essay, event, exhibiting, exhibition, field station, field trip, Fiona Raby, Franz Kafka, future, Future Fictions, Future Fictions – Perspectives on World-building, future thinking, Hannah Arendt, inhabiting time, installation, interview, jewellery, Jon Stam, knowlegde, Kolenspoor, Konstantin Grcic - Panorama, labour, local, Manufactuur 3.0, Milan Design Week, Nelly Ben Hayoun, non-linear time, Nuclear Culture, Nuclear Culture Roundtable, nuclear waste, Open Call, open source, Pantopicon, Participatory Design Conference, performance, Perpetual Uncertainty, Pit – Art in Public Space in Borgloon-Heers, production, publication, public space, public talk, reflection, rehearsal, research, Revital Cohen, roundtable, Sense of Sound, shock, social media, sound art, space, Space Odyssey 2.0, speculative design, speech, Studio Future, Studio Future – Future Fictions in Art and Design, Studio Time, symposium, The Machine, The Machine – Designing a New Industrial Revolution, The Wilde Things – The So Contemporary Jewellery Collection of Mrs. Wilde, time, Traders, Traders Open School, Tuur Van Balen, Virginia Tassinari, Walter Benjamin, White Horse/Twin Horse, workshop, wunderkammer, Z33, Z33 Co-production, Z33 Commission, Z33 Debates, Z33 Production