Nuclear Culture

Kota Takeuchi. Selfie HADES (2016). Arts Catalyst, exhibition image, 2016. September 20, 2017Nuclear Culture

Ele Carpenter. Getting Closer to Deep Time with Kota Takeuchi

by Z33

Over the last 6 years, Fukushima-based artist Kota Takeuchi has made a series of intelligently informed and aesthetically embedded artworks that draw us closer to the contaminated site of the dilapidated Fukushima Daiichi Nuclear Power plant. Text... Read more »

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September 15, 2017Nuclear Culture

Ele Carpenter. God of the Underworld

by Z33

Ele Carpenter, curator of Nuclear Culture, reflects on overcoming nuclear fear and reclaiming agency through a visit to Belgium-based nuclear research lab, High-Activity Disposal Experimental Site HADES. What can be the agency of art and architecture... Read more »

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IMG_1535_2_thumb September 13, 2017Nuclear Culture

Ele Carpenter. (Post-) Nuclear Anthropocene

by Z33

Nuclear industry is undergoing a process of decommissioning and waste management. At the same time, a renewed interest in the 'nuclear humanities' is now also reaching art and curating. Curator and writer Ele Carpenter reflects on the relation of art... Read more »

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Nuclear Culture

INDEX

2011, 2012, 2013, 2014, 2015, 2016, 2017, 2018, Adam Gibbons, All the Knives, All the Knives (Any Printed Story on Request), archive, art, biennial, BIO50, BIO 50, book, C-Mine, case study, commentary, curating, De Brakke Grond, deep time, design, Design Academy Eindhoven, design education, Designing Futures, Designing Scarcity – Design and Innovation in Times of Scarcity, DESIS Philosophy Talks, De Unie Hasselt-Genk, Dunne & Raby, ecole mondiale, education, Ele Carpenter, essay, event, exhibiting, exhibition, field station, field trip, Fiona Raby, Franz Kafka, future, Future Fictions, Future Fictions – Perspectives on World-building, future thinking, Hannah Arendt, inhabiting time, installation, interview, jewellery, Jon Stam, knowlegde, Kolenspoor, Konstantin Grcic - Panorama, labour, local, Manufactuur 3.0, Milan Design Week, Nelly Ben Hayoun, non-linear time, Nuclear Culture, Nuclear Culture Roundtable, nuclear waste, Open Call, open source, Pantopicon, Participatory Design Conference, performance, Perpetual Uncertainty, Pit – Art in Public Space in Borgloon-Heers, production, publication, public space, public talk, reflection, rehearsal, research, Revital Cohen, roundtable, Sense of Sound, shock, social media, sound art, space, Space Odyssey 2.0, speculative design, speech, Studio Future, Studio Future – Future Fictions in Art and Design, Studio Time, symposium, The Machine, The Machine – Designing a New Industrial Revolution, The Wilde Things – The So Contemporary Jewellery Collection of Mrs. Wilde, time, Traders, Traders Open School, Tuur Van Balen, Virginia Tassinari, Walter Benjamin, White Horse/Twin Horse, workshop, wunderkammer, Z33, Z33 Co-production, Z33 Commission, Z33 Debates, Z33 Production