2017

Nuclear Culture Round Table. 17 November 2017, Z33 House for Contemporary Art, Hasselt, Belgium. © Pieter Fannes. February 23, 2018Nuclear Culture

Ele Carpenter and Pieter Fannes. Underground/Overground. An Annotated Visual Report

by Ils Huygens

Curator Ele Carpenter looks back on the Nuclear Culture Roundtable held on November 17th at Z33, and shares what she took home from the talks and debates, inspired by Pieter Fannes’ drawings. Text. Ele Carpenter and Pieter Fannes. The seventh... Read more »

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Tomás Saraceno. Gravitational Waves, 2017. Installation view, Cosmodrome, Kattevennen, Genk, Belgium. © Photography by Kristof Vrancken / Z33 House for Contemporary Art. November 29, 2017De Unie Hasselt-Genk

Nadine Botha. Generally Relative – The Expanding and Contracting Perspective of Tomás Saraceno

by Z33

Argentinian artist Tomás Saraceno discusses with artistic researcher Nadine Botha about the meaning of the newly-found gravitational waves to our perception of the universe, his work and the blurred boundaries of art and design. Text Nadine Botha... Read more »

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Tomás Saraceno. "14 Billions (working title)", 2010. Installation view, Bonniers Konsthall, Stockholm. Commissioned by Bonniers Konsthall. Courtesy the artist; Tanya Bonakdar, Andersen's Contemporary, Pinksummer Contemporary Art, Esther Schipper. © Photography by Studio Tomás Saraceno, 2010. November 7, 2017De Unie Hasselt-Genk

Studio Tomás Saraceno. Gravitational Waves with Giovanni Amelino-Camelia

by Z33

'Gravitational Waves' by Tomás Saraceno evokes an analogy often used by scientists: the comparison between a complex, 3-dimensional spider web, and our “spongy” universe, with galaxies morphing into wall-like sheets, leaving huge voids of nearly... Read more »

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October 30, 2017STUDIO SPACE

Saba Golchehr. Design from the Inside-out: Critically Adopting Big Data Methods

by Z33

Designers should be aware both of what is lost if they ignore new digital tools, and of the implications of uncritically appropriating big data technologies. This has occurred before in the uncritical acceptance of participatory approaches in the des... Read more »

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