All posts by Jozefien Van Beek

Wide Vercnocke, 2018.
November 21, 2018STUDIO SPACE

A-Z Night #8.
 Narratives of Migration

by Jozefien Van Beek

Since 2015, 1.5 million refugees have arrived in Europe. It has become very clear that migration is a subject we can't ignore. But what are the stories that we tell? And what language do we use to tell them?
 These were some of the questions raised during the A-Z night #8, held in Hasselt, Belgium on November 6. Jozefien Van Beek looks back and reflects on the main ideas, illustrated by the live drawings of Wide Vercnocke. Read more »

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futureofworknew
October 22, 2018STUDIO WORK

A-Z Night #7. The Future Of Work

by Jozefien Van Beek

Digitalization, robotization and artificial intelligence: these are innovations that have the potential to radically change the nature of labour and thus our everyday lives, and they are in fact already doing so. Robots that take over the jobs of labourers, the boom of freelance work, the proportional rise in burnouts. What does the future of work look like? What does this mean for artists and designers? What are the new frameworks they operate in and what potential roles are set aside for them? This was the theme of A-Z night #7 held in Hasselt, Belgium on October 9, 2018. Jozefien Van Beek looks back and reflects on the main ideas, illustrated by the live drawings of Wide Vercnocke. Read more »

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Z33 Commission, exhibiting, case study, wunderkammer, The Wilde Things – The So Contemporary Jewellery Collection of Mrs. Wilde, sound art, refugee, publication, Traders, Turkey, Manufactuur 3.0, toolkit, Franz Kafka, A School of Schools, Space Odyssey 2.0, Studio Future, 2013, curating, hospitality, BIO 50, Emma Ribbens, Z33, Chris De Stoop, Jacques Derrida, art, labour, Perpetual Uncertainty, Future Fictions – Perspectives on World-building, inhabiting time, future thinking, jewellery, future, public talk, Fiona Raby, Zygmunt Bauman, interview, 2012, 2017, commentary, installation, knowlegde, speech, shock, Z33 Debates, Future Fictions, Ele Carpenter, White Horse/Twin Horse, Sahim Omar Kalifa, DESIS Philosophy Talks, exhibition, C-Mine, Z33 Co-production, Sense of Sound, Katia Truien, 2016, Natalie Ginzburg, work, 2011, Nomadlab, deep time, Z33 builds, The Machine, education, Nuclear Culture, migration, symposium, nuclear waste, Alchorisma, Kolenspoor, All the Knives, ecole mondiale, field trip, Ottonie von Roeder, Adam Gibbons, Pantopicon, open source, workshop, biennial, Pit – Art in Public Space in Borgloon-Heers, 2015, Hannah Arendt, Jon Stam, Studio Future – Future Fictions in Art and Design, robotization, Designing Futures, Studio Time, Milan Design Week, School of Time, Merve Bedir, Vercnocke, speculative design, Aladin El-Mafaalani, time, reflection, Francesca Torzo, Nuclear Culture Roundtable, Tuur Van Balen, Istanbul, non-linear time, artificial intelligence, The Machine – Designing a New Industrial Revolution, design education, Virginia Tassinari, event, solidarity, 2014, public space, children, social media, space, Walter Benjamin, Participatory Design Conference, Silvio Lorusso, essay, language, Design Academy Eindhoven, Center for Spatial Justice, Konstantin Grcic - Panorama, Nelly Ben Hayoun, Traders Open School, De Unie Hasselt-Genk, Revital Cohen, De Brakke Grond, roundtable, Designing Scarcity – Design and Innovation in Times of Scarcity, digitalization, performance, Z33 Production, algorithms, Open Call, BIO50, research, book, A-Z nights, 2018, rehearsal, local, field station, Clara Braeckman, Dunne & Raby, Future of Work, production, archive, All the Knives (Any Printed Story on Request), design, spatial justice, Jozefien Van Beek