All posts by Jozefien Van Beek

Wide Vercnocke, 2018.
November 21, 2018STUDIO SPACE

A-Z Night #8.
 Narratives of Migration

by Jozefien Van Beek

Since 2015, 1.5 million refugees have arrived in Europe. It has become very clear that migration is a subject we can't ignore. But what are the stories that we tell? And what language do we use to tell them?
 These were some of the questions raised during the A-Z night #8, held in Hasselt, Belgium on November 6. Jozefien Van Beek looks back and reflects on the main ideas, illustrated by the live drawings of Wide Vercnocke. Read more »

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futureofworknew
October 22, 2018STUDIO WORK

A-Z Night #7. The Future Of Work

by Jozefien Van Beek

Digitalization, robotization and artificial intelligence: these are innovations that have the potential to radically change the nature of labour and thus our everyday lives, and they are in fact already doing so. Robots that take over the jobs of labourers, the boom of freelance work, the proportional rise in burnouts. What does the future of work look like? What does this mean for artists and designers? What are the new frameworks they operate in and what potential roles are set aside for them? This was the theme of A-Z night #7 held in Hasselt, Belgium on October 9, 2018. Jozefien Van Beek looks back and reflects on the main ideas, illustrated by the live drawings of Wide Vercnocke. Read more »

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TAGCLOUD

reflection, Designing Scarcity – Design and Innovation in Times of Scarcity, Center for Spatial Justice, Jacques Derrida, Design Academy Eindhoven, Ottonie von Roeder, Virginia Tassinari, C-Mine, Z33 Commission, All the Knives (Any Printed Story on Request), Clara Braeckman, 2016, biennial, workshop, Traders, Vercnocke, DESIS Philosophy Talks, curating, robotization, 2011, 2013, commentary, future, Fiona Raby, Z33, language, 2012, Future Fictions – Perspectives on World-building, Z33 builds, Designing Futures, time, Manufactuur 3.0, Dunne & Raby, field station, field trip, Natalie Ginzburg, Pantopicon, installation, future thinking, A-Z nights, interview, children, case study, digitalization, nuclear waste, art, Nomadlab, migration, Zygmunt Bauman, Konstantin Grcic - Panorama, Walter Benjamin, The Machine, speech, non-linear time, labour, speculative design, event, A School of Schools, All the Knives, Istanbul, De Unie Hasselt-Genk, Hannah Arendt, Space Odyssey 2.0, inhabiting time, Pit – Art in Public Space in Borgloon-Heers, education, knowlegde, Nuclear Culture, Perpetual Uncertainty, Z33 Production, Z33 Debates, Merve Bedir, The Wilde Things – The So Contemporary Jewellery Collection of Mrs. Wilde, work, Sense of Sound, Open Call, wunderkammer, Future of Work, Traders Open School, design education, research, design, School of Time, spatial justice, Sahim Omar Kalifa, rehearsal, Jon Stam, artificial intelligence, local, 2018, Z33 Co-production, Tuur Van Balen, roundtable, exhibiting, 2014, social media, Silvio Lorusso, open source, White Horse/Twin Horse, The Machine – Designing a New Industrial Revolution, jewellery, book, essay, Kolenspoor, BIO 50, symposium, Studio Time, De Brakke Grond, Milan Design Week, Alchorisma, Revital Cohen, solidarity, Future Fictions, deep time, Studio Future – Future Fictions in Art and Design, BIO50, Ele Carpenter, Nuclear Culture Roundtable, refugee, Francesca Torzo, space, Studio Future, toolkit, 2015, sound art, shock, archive, exhibition, 2017, Participatory Design Conference, Emma Ribbens, algorithms, performance, Jozefien Van Beek, Adam Gibbons, publication, Katia Truien, Nelly Ben Hayoun, production, public space, Franz Kafka, ecole mondiale, Aladin El-Mafaalani, Turkey, public talk, hospitality, Chris De Stoop