All posts by Jozefien Van Beek

Wide Vercnocke, 2018.
November 21, 2018STUDIO SPACE

A-Z Night #8.
 Narratives of Migration

by Jozefien Van Beek

Since 2015, 1.5 million refugees have arrived in Europe. It has become very clear that migration is a subject we can't ignore. But what are the stories that we tell? And what language do we use to tell them?
 These were some of the questions raised during the A-Z night #8, held in Hasselt, Belgium on November 6. Jozefien Van Beek looks back and reflects on the main ideas, illustrated by the live drawings of Wide Vercnocke. Read more »

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futureofworknew
October 22, 2018STUDIO WORK

A-Z Night #7. The Future Of Work

by Jozefien Van Beek

Digitalization, robotization and artificial intelligence: these are innovations that have the potential to radically change the nature of labour and thus our everyday lives, and they are in fact already doing so. Robots that take over the jobs of labourers, the boom of freelance work, the proportional rise in burnouts. What does the future of work look like? What does this mean for artists and designers? What are the new frameworks they operate in and what potential roles are set aside for them? This was the theme of A-Z night #7 held in Hasselt, Belgium on October 9, 2018. Jozefien Van Beek looks back and reflects on the main ideas, illustrated by the live drawings of Wide Vercnocke. Read more »

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education, migration, Silvio Lorusso, commentary, speech, public talk, Open Call, shock, 2015, research, artificial intelligence, book, De Brakke Grond, Aladin El-Mafaalani, Tuur Van Balen, Sense of Sound, Ele Carpenter, local, social media, deep time, 2011, BIO50, Center for Spatial Justice, Z33 Commission, White Horse/Twin Horse, Turkey, biennial, Istanbul, exhibition, nuclear waste, Ottonie von Roeder, installation, future, Vercnocke, Chris De Stoop, language, Design Academy Eindhoven, knowlegde, Studio Time, BIO 50, All the Knives (Any Printed Story on Request), Alchorisma, Clara Braeckman, Studio Future, 2012, Nomadlab, speculative design, wunderkammer, Emma Ribbens, rehearsal, The Machine – Designing a New Industrial Revolution, Future Fictions, Traders, Jacques Derrida, Sahim Omar Kalifa, interview, design, 2017, refugee, Future Fictions – Perspectives on World-building, 2014, performance, essay, Dunne & Raby, sound art, Nelly Ben Hayoun, inhabiting time, time, Zygmunt Bauman, Francesca Torzo, hospitality, 2013, Nuclear Culture, production, open source, Z33, solidarity, robotization, children, Revital Cohen, roundtable, DESIS Philosophy Talks, Hannah Arendt, Virginia Tassinari, 2016, Fiona Raby, archive, 2018, The Wilde Things – The So Contemporary Jewellery Collection of Mrs. Wilde, design education, ecole mondiale, Studio Future – Future Fictions in Art and Design, Katia Truien, The Machine, Z33 Production, Jon Stam, Walter Benjamin, Designing Futures, Nuclear Culture Roundtable, Z33 Co-production, field trip, Konstantin Grcic - Panorama, spatial justice, Future of Work, art, Kolenspoor, Participatory Design Conference, Milan Design Week, digitalization, Jozefien Van Beek, Designing Scarcity – Design and Innovation in Times of Scarcity, Merve Bedir, Traders Open School, Manufactuur 3.0, work, toolkit, workshop, Pit – Art in Public Space in Borgloon-Heers, symposium, case study, publication, Perpetual Uncertainty, jewellery, public space, Space Odyssey 2.0, algorithms, event, Pantopicon, space, De Unie Hasselt-Genk, Z33 Debates, labour, Franz Kafka, reflection, field station, Adam Gibbons, Z33 builds, A School of Schools, C-Mine, All the Knives, A-Z nights, exhibiting, School of Time, curating, Natalie Ginzburg, non-linear time, future thinking