All posts by Jozefien Van Beek

Wide Vercnocke, 2018.
November 21, 2018STUDIO SPACE

A-Z Night #8.
 Narratives of Migration

by Jozefien Van Beek

Since 2015, 1.5 million refugees have arrived in Europe. It has become very clear that migration is a subject we can't ignore. But what are the stories that we tell? And what language do we use to tell them?
 These were some of the questions raised during the A-Z night #8, held in Hasselt, Belgium on November 6. Jozefien Van Beek looks back and reflects on the main ideas, illustrated by the live drawings of Wide Vercnocke. Read more »

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futureofworknew
October 22, 2018STUDIO WORK

A-Z Night #7. The Future Of Work

by Jozefien Van Beek

Digitalization, robotization and artificial intelligence: these are innovations that have the potential to radically change the nature of labour and thus our everyday lives, and they are in fact already doing so. Robots that take over the jobs of labourers, the boom of freelance work, the proportional rise in burnouts. What does the future of work look like? What does this mean for artists and designers? What are the new frameworks they operate in and what potential roles are set aside for them? This was the theme of A-Z night #7 held in Hasselt, Belgium on October 9, 2018. Jozefien Van Beek looks back and reflects on the main ideas, illustrated by the live drawings of Wide Vercnocke. Read more »

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Franz Kafka, 2012, Konstantin Grcic - Panorama, interview, C-Mine, inhabiting time, 2017, Future Fictions – Perspectives on World-building, Nuclear Culture, field station, hospitality, toolkit, research, essay, A-Z nights, shock, sound art, algorithms, Kolenspoor, Nelly Ben Hayoun, Z33 Commission, Istanbul, Dunne & Raby, nuclear waste, children, Alchorisma, The Machine – Designing a New Industrial Revolution, Revital Cohen, All the Knives, 2011, BIO 50, 2018, event, knowlegde, Z33 Co-production, jewellery, The Wilde Things – The So Contemporary Jewellery Collection of Mrs. Wilde, Nuclear Culture Roundtable, public talk, Nomadlab, space, Virginia Tassinari, A School of Schools, Designing Futures, artificial intelligence, Manufactuur 3.0, Milan Design Week, Traders Open School, installation, case study, archive, design education, Z33 Production, commentary, Jacques Derrida, work, Merve Bedir, Adam Gibbons, non-linear time, workshop, biennial, Tuur Van Balen, Future Fictions, Design Academy Eindhoven, publication, open source, Open Call, Traders, public space, speculative design, Silvio Lorusso, art, Chris De Stoop, social media, 2014, Pantopicon, exhibition, Walter Benjamin, book, Z33, ecole mondiale, Turkey, Jozefien Van Beek, Pit – Art in Public Space in Borgloon-Heers, spatial justice, future thinking, speech, Space Odyssey 2.0, roundtable, Jon Stam, exhibiting, Studio Future – Future Fictions in Art and Design, School of Time, Fiona Raby, migration, Participatory Design Conference, local, Emma Ribbens, rehearsal, Francesca Torzo, Center for Spatial Justice, Aladin El-Mafaalani, White Horse/Twin Horse, Z33 Debates, wunderkammer, Ottonie von Roeder, Ele Carpenter, digitalization, BIO50, 2016, De Brakke Grond, Studio Time, time, Studio Future, The Machine, symposium, Future of Work, 2013, performance, refugee, Z33 builds, Hannah Arendt, design, reflection, Sense of Sound, Clara Braeckman, Vercnocke, Katia Truien, All the Knives (Any Printed Story on Request), field trip, curating, production, labour, Sahim Omar Kalifa, Natalie Ginzburg, robotization, De Unie Hasselt-Genk, language, 2015, DESIS Philosophy Talks, future, deep time, Zygmunt Bauman, Perpetual Uncertainty, solidarity, education, Designing Scarcity – Design and Innovation in Times of Scarcity