Partly triggered by the crisis and partly fighting to stay relevant, in recent years biennials have stepped out of their traditional boundaries by inviting multidisciplinary teams of curators to share relevant perspectives, exploring controversial ni...
'Sense of Sound' symposium brought together six curators specialized in sound art to discuss the status of sound art within the field of visual arts. The speakers include Joost Fonteyne, director of Festival van Vlaanderen Kortrijk and Sounding City,...
Since its founding in 1964, the Biennial of Design (BIO) in Ljubljana has surveyed the state of contemporary design from the heart of Central Europe. Witnessing the many shifts and changes the discipline has undergone in the last 50 years, BIO has se...
The Induction Series by Aernoudt Jacobs, co-produced by Z33, reviews and re-interprets the laws of electromagnetic induction to make sounds, and emphasizes the transition between what can be seen and what can be heard.
Text Z33 House for contemporar...
In the case of sound art, the medium itself forces the viewer to change his normal mode of perception. Finding the right form for the presentation is a crucial element, especially in the world of visual arts that is mostly focused on the visual.
Tex...
With exhibition 'The Wilde Things,' Z33 explores new presentation models for contemporary jewellery in context of a wearer and within a narrative framework. Furthermore it takes a critical look at current developments within this discipline, which ha...
Based on performance, exhibition All the Knives (Any Printed Story on Request) is triggered by audience entering the exhibition space. Always animated by performers, the show gathers stories of objects that are in constant flux.
Text Z33 House for c...