All posts by Nelly Ben Hayoun

I am (not) a Monster Graphic_Copyright: I am (not) a monster LTD/Nelly Ben Hayoun Studios 2018

9 July 2018 and I am (not) a monster

by Nelly Ben Hayoun

As part of the School of Time exhibition that Z33 is preparing for the Istanbul Design Biennial coming up in September, we’re happy to reveal some of the first ideas and steps towards a new project, I am (not) a Monster, by designer Nelly Ben Hayoun. Throughout this research project Nelly Ben Hayoun intends to demonstrate the state of ideologies- their origins, formulation and power structures- in contemporary society. Trained by Noh theatre and Kabuki’s experts and Sumotoris in Japan, with Bunraku puppets in hand, Nelly Ben Hayoun will reenact and question the writings of Hannah Arendt while talking to philosophers and families about their views on the role of learning and education in society today. In this first of two blog posts, she gives us some insight on how this project came into being. Read more »

, ,

TAGCLOUD

Studio Future, Kolenspoor, commentary, Design Academy Eindhoven, Perpetual Uncertainty, Z33 builds, non-linear time, All the Knives, sound art, Z33 Production, Manufactuur 3.0, wunderkammer, 2013, Konstantin Grcic - Panorama, exhibiting, 2014, jewellery, Future Fictions – Perspectives on World-building, knowlegde, interview, Jon Stam, future, Sense of Sound, curating, field station, biennial, publication, Milan Design Week, Z33 Commission, 2016, nuclear waste, inhabiting time, Virginia Tassinari, Traders, De Brakke Grond, field trip, Dunne & Raby, C-Mine, symposium, 2018, workshop, Fiona Raby, space, local, The Machine, Future Fictions, ecole mondiale, 2011, Walter Benjamin, All the Knives (Any Printed Story on Request), Francesca Torzo, roundtable, Designing Scarcity – Design and Innovation in Times of Scarcity, labour, Franz Kafka, speech, essay, DESIS Philosophy Talks, archive, speculative design, event, School of Time, The Wilde Things – The So Contemporary Jewellery Collection of Mrs. Wilde, Hannah Arendt, BIO50, Nuclear Culture, De Unie Hasselt-Genk, Studio Future – Future Fictions in Art and Design, future thinking, BIO 50, White Horse/Twin Horse, deep time, education, public talk, rehearsal, open source, performance, social media, 2012, Open Call, design education, production, Traders Open School, book, design, The Machine – Designing a New Industrial Revolution, Nelly Ben Hayoun, Revital Cohen, Space Odyssey 2.0, Ele Carpenter, 2017, reflection, installation, research, case study, Studio Time, time, Adam Gibbons, Nuclear Culture Roundtable, Pit – Art in Public Space in Borgloon-Heers, Z33, shock, Participatory Design Conference, Pantopicon, art, Designing Futures, Z33 Co-production, public space, exhibition, Tuur Van Balen, Z33 Debates, 2015